Sound Waves
Robin Rose's luminous, abstract art reforms an ancient technique with contemporary rhythm
Robin Rose's encaustic paintings were reviewed in the September/October 2021 issue of Home and Design Magazine. The feature discusses Rose's approach to painting with encaustic, how music influences his work, and the word associations that lead his practice during the pandemic.
Like an alchemist at work, artist Robin Rose stirs a cauldron of hot beeswax in his inner sanctum beside Washington’s Rock Creek Park. He mixes in damar crystals derived from natural tree resin, adds carnauba wax made from the leaves of a Brazilian palm, then blends in powdered pigment of a soft rose-madder hue. “One thousand one, one thousand two,” Rose intones, expressing the brieftime it takes for the hot wax to harden.
In the galleries: Works of art emerge via waking up with a word in mind
By Mark Jenkins, The Washington Post, May 21, 2021.
"As a painter, Robin Rose has often followed musical cues, naming his abstractions after songs that prompted them. He works in encaustic, a mix of pigment and hot wax that requires a quick hand and whose immediacy has “a sonic quality,” he told a recent visitor to Hemphill Artworks. Yet the veteran local artist’s new “19 Paintings” hatched from text."
Poetry and Word Pictures: Ilchi and Rose at Hemphill | May 4, 2021
Written by Claudia Rousseau for East City Art Reviews
"Hedieh Javanshir Ilchi’s richly colored abstract landscapes in acrylic and watercolor seem the absolute opposite of Rose’s apparently minimalist encaustics, but there are connections. The lyrical title of Ilchi’s show, Listen to the night as it makes itself hollow, and the poetry of the titles of each of her paintings enhance their equally poetic imagery. All painted in the past few months, they speak to each other in a voice that is tender, but aching with longing. Similarly, Rose’s 19 Paintings, all made between March 2020 and January 2021, were each inspired by a word that the artist woke up with in the middle of the night, as he explains in a video interview made in connection with this show"
Read, "Poetry and Word Pictures: Ilchi and Rose at Hemphill," here.
Robin Rose In Conversation with Vesela Sretenović
CONVERSATIONS WITH ARTISTS
April 15, 6:30-8:00PM
University of Maryland Center for Art and Knowledge at The Phillips Collection
"Robin Rose (b. Ocala, Florida; lives and works in Washington, DC) creates works in encaustic mixed with pigment and wax using subtle hues to produce his abstractions. His so-called “Scriptronics” are drawings created on brown paper with a black marker connected by wire to a CD recorder. As he draws on the paper, sounds emanate from speakers. The texture of the paper and the amount of pressure applied while drawing determine the sound being recorded and played back. Rose sees his Scriptronics not only as a means of expression for artists but also as a potential therapeutic tool for those with autism or dementia.
He will be joined in conversation by Vesela Sretenović, Senior Curator of Modern and Contemporary Art, The Phillips Collection."
Breath | Redux Extra
Robin Rose interviewed by Zoe R. for Redux Extra, Spring 2021 Issue
"Robin Rose is an adroit artist of his generation with a unique art form. His work is the essence of a cosmic curiosity and his profound observation of nature, as he constantly discovers the riches of nature around him. His muse is the bountiful domain of rocks and pebbles, rivers and springs that inspires him to create. Robin applies a specific technique to each paintings, that he prepares with patience as he does on a journey to an unknown destination. His untamed approach provides him an unlimited scope of imagination and desire for discovery that not only transcends his art beyond the ordinary, but it also demands a deeper appreciation and interpretation from his audience."
The Long Sixties: Washington Paintings in the Watkins and Corcoran Legacy Collections, 1957-1982
Curated by Jack Rasmussen
American University Museum at the Katzen Art Center, Washington DC
February 16 – August 9, 2021
"The American University Museum recently acquired 9,000 works from the Corcoran Gallery of Art, a Washington institution that closed its doors to the public in 2014. Together with our Watkins Collection we have an especially strong cache of works by Washington regional artists. While curating a show of Washington paintings drawn from our growing collections, I became interested in how my memories of a formative time in my life might be affecting my choice of artwork for this exhibition.
Every exhibition is an opportunity to address what we can see of the past from our contemporary perspective. My perspective includes the acknowledgement of persistent, systemic gender and racial injustice, bias, and violence that was present in the fifties, laid bare in the sixties, and continues to the present day. It is clear to me that the defining characteristic of most White mainstream art made between 1957 and 1982 in Washington was an adherence to aesthetic and commercial constraints that encouraged artists to remain silent when their voices are most needed. What pushback there was against this tendency was led by Black and women artists, whose work has been systematically underrepresented in the collections of Washington museums."
– Jack Rasmussen, Curator
Featuring Artists: Cynthia Bickley-Green, Lisa Montag Brotman, Allen Carter, Michael Clark, Manon Cleary, Robert D’Arista, Rebecca Davenport, Gene Davis, Willem de Looper, Jeff Donaldson, Thomas Downing, William S. Dutterer, Alan Feltus, Fred Folsom, Robert Franklin Gates, Sam Gilliam, Carol Brown Goldberg, Tom Green, Helene McKinsey Herzbrun, Michal Hunter, Val Lewton, Howard Mehring, William Newman, Kenneth Noland, Robin Rose, Joseph Shannon, Frank Anthony Smith, Carroll Sockwell, Alma Thomas, Franklin White, William Woodward, and Kenneth Victor Young.
View the exhibition and catalogue online in Museum@Home.
Robin Rose In Conversation with Vesela Sretenović
CONVERSATIONS WITH ARTISTS
April 15, 6:30-8 PM
University of Maryland Center for Art and Knowledge at The Phillips Collection
"Robin Rose (b. Ocala, Florida; lives and works in Washington, DC) creates works in encaustic mixed with pigment and wax using subtle hues to produce his abstractions...He will be joined in conversation by Vesela Sretenović, Senior Curator of Modern and Contemporary Art, The Phillips Collection.
The Conversations with Artists series provides an opportunity for the DC community and University of Maryland students to hear from leading and emerging artists in an informal setting."
Hemphill Coloring Book
by HEMPHILL
07/15/2020
This coloring book was created during the shelter-in-place period of 2020. Thanks to the artists for their participation and inspiration. Art endures and so will we. Be well and thank you for continued support.
MORE or LESS
The past, present and future of abstraction.
May 24, 2018
Kriston Capps, Washington City Paper
35 Days
35 Days
June 24, 2017
Stephanie Rudig, Washington City Paper
"This isn’t just a Color School roundup, however: The show includes artists deploying color to completely different ends, like the trippy pattern-based work of Hedieh Javanshir Ilchi, as well as some varying landscape photography artists like Anne Rowland and William Christenberry."
REPRESENT
At Hemphill Fine Arts, a retrospective show that's bigger than the gallery
November 15, 2013
Mark Jenkins, The Washington Post
"Several mini-shows nestle within “Represent,” Hemphill Fine Arts’s 20th-anniversary exhibition."
Robin Rose: THE BIG PAYBACK
"Robin Rose: The Big Payback," Reviewed
November 25, 2011
Kriston Capps, Washington City Paper
"The titles of his abstract paintings reference Jimi Hendrix, Tom Waits, John McLaughlin, and others, all of them gods of rock, jazz, soul, or their fusions. With the paintings themselves, however, Rose is working more angularly, summoning—to my mind, anyway—deliberate art-punk acts like Slint, Shellac, and Fugazi."
Robin Rose: THE BIG PAYBACK
Galleries: ‘The Big Payback’
November 24, 2011
Mark Jenkins, The Washington Post
"Circa 1979, Washington’s artists and punk rockers were spending a lot of time at each other’s places."
Viewing Rm.
"Viewing Rm." at Hemphill Fine Arts
February 4, 2011
Louis Jacobson, Washington City Paper
"The exhibit is variegated, but like any good combine painting (and those are included too) it coheres pretty well despite itself, as giants like Robert Rauschenberg mix with such local figures as Joseph Mills, Mingering Mike and Colby Caldwell."
Viewing Rm.
Familiar favorites: Once more, with feeling
January 28, 2011
Jessica Dawson, The Washington Post
"Here hang big, striking works by Tom Downing and Jacob Kainen. Here, too, are precious works on paper by Al Jensen and Alma Thomas. That Eugene Atget picture of the taxidermist's vitrine? I'll take it."
Robin Rose: Cypher & Endeavor
Two Shows Reveal Different Sides of Robin Rose
April 24, 2009
Michael O'Sullivan, The Washington Post
"'Cypher' is sly proof that you can teach an old dog new -- and, in this case, fascinating -- tricks."
Robin Rose: Cypher
Robin Rose Exhibit: The Story Behind the Artist
April 24, 2009
Michael O'Sullivan, The Washington Post
"Robin Rose isn't just a painter. He's also a collector of modernist furniture, several examples of which appear throughout 'Robin Rose: Cypher': a dining room set, metal patio furniture, etc."